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#BATMAN THUMBS UP FREE#
Such leverage wouldn’t have been possible without the free hand Knowles and his ilk were given by studios and publicists, terrified that without a thumbs-up from the “head” of the geeks they were so vigorously pursuing, their films might become the next Batman & Robin-whose notorious razzing by AICN staff was blamed by its distributor, Warner Bros., for its commercial failure (a proclamation that landed Knowles on Entertainment Weekly’s list of the most powerful people of 1997).įortunately for the studios, Knowles was a pushover. Knowles’ alleged victims would recall how he’d drop famous names to young female writers in order to present himself as a gateway to the industry, or would use his access to in-demand, invitation-only events to request sexual favors.
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He used their approval to create a power dynamic of entitlement, which became a tool for his harassment. But the podcast credibly paints a picture of Knowles’ ability to summon his (all-male) heroes to festivals and events, and to leverage their endorsement into his own credibility. The new documentary podcast Downlowd: The Rise and Fall of Harry Knowles and Ain’t It Cool News attempts to grapple with this legacy, without much success (writer and host Joe Scott cannot quite bring himself to fully interrogate the mythmaking of Knowles and the site’s alumni). That entire section (perhaps accidentally) captures a dynamic that goes hand in hand with those accusations: a retrograde “boys club” atmosphere that permeated both the site-which, during most of its ’90s and 2000s heyday, primarily boasted male writers and editors-and the Austin, Texas, film culture around it. There’s something especially jarring about its quiet introduction in that “disclosure” paragraph, the offhand way Knowles lists his and del Toro’s mutual interests, culminating in “the movies and pussy.” Not “the movies and women,” mind you, or even “the movies and sex,” but the movies and the disembodied female sex organ, one of many aspects of the Blade II review that made it a more noteworthy text after Kate Erbland’s 2017 investigation of multiple accusations of sexual misconduct against Knowles. Has anyone been streaming the Batman Unburied podcast? Let us know your thoughts in the comments.Yet the Blade II review lingers longer in the memory because of that pained central metaphor, and the blatant misogyny it betrays. So I was interested in coming up with a storyline that had a number of twists and turns in which we pull the rug out from under the audience. I just wanted to do something I hadn’t done before. Goyer is excited to tell a Batman story that charts a bold new path. The first six episodes have already dropped and are riding high on the Spotify charts.ĭavid S. Reeves is a really good filmmaker, so I was in for the ride, Listen inīatman Unburied is a group effort between Spotify, DC, and Warner Bros. I really like Pattinson’s Batman, and I like what they did with the Riddler.
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I saw it with a number of my crew-members on Foundation, and they were all expecting me to hate it, but I really enjoyed it a lot. I didn’t know exactly what to expect or what I would think of it. Goyer’s words carry a lot of weight on the streets of Gotham, so fans of The Batmanshould be pleased to know he enjoyed the film and the characters. He is also a major Batman creative alum, and is currently promoting the new Batman Unburied scripted podcast an unconventional twist on the Batman myth that features an un-orphaned Bruce Wayne tracking down killers as a forensic pathologist.
#BATMAN THUMBS UP MOVIE#
Goyer is one of the most prolific writers working today, having penned some of the most movie scripts based on comics, novels, and screenplays of the past twenty-odd years. Goyer, the screenwriter behind the seminal Dark Knight Trilogy, recently told The Hollywood Reporter that he thoroughly enjoyed Matt Reeves’ The Batman.